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Clare Bowditch and the New Slang

The New Slang is the new backing band for Melbourne, Australia-based musician Clare Bowditch; following the folding of her previous band, <a href="http://www.last.fm/music/Clare+Bowditch+and+The+Feeding+Set" class="bbcode_artist">Clare Bowditch and The Feeding Set</a>. Some members of the Feeding Set remain - drummer Marty Brown, also Clare's husband; and bassist Warren Bloomer - but the expanded group also features Tim Harvey (Hot Little Hands) on lead guitar and the a capella group <a href="http://www.last.fm/music/Aluka" class="bbcode_artist">Aluka</a>, known collecitvely within the New Slang as The Lady Garden.

We Set Sail

Mid 90's influenced emo/post/rock from Brisbane, Australia.

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Branch Arterial

Branch Arterial exploded onto the scene with their debut EP "Voices Unknown", bringing with them an intense and breathtaking live show. Having formed in 2009, they have created a unique sonic take on modern Australian progressive rock, and have cemented their place in the Melbourne live scene. With their powerful and mature sound, and aspirations to spread their music abroad, the local scene will be unlikely to hold these very ambitious musicians down.

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oh ye denver birds

The title "Oh Ye Denver Birds" was taken from a phrase out of the book "On The Road" by Jack Kerouac. Oh Ye Denver Birds is a project formed by Dominic Stephens in late 2008 and has now become a quartet. Oh Ye Denver Birds is known as an ambient, alternative folk band with elements of surf rock and accapella and is based in Brisbane. Some have written "haunted alternative folk with pop sensibilities...Ambient melodies from the early morning, earthly percussion and choir-like harmony". Somewhere between Grizzly Bear and The Beatles.

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Crosby Stills & Nash

Crosby, Stills & Nash (CSN) are a folk rock/rock supergroup made up of David Crosby, Stephen Stills and Graham Nash, also known as Crosby, Stills, Nash & Young (CSNY) when joined by occasional fourth member Neil Young. They are noted for their intricate vocal harmonies, often tumultuous interpersonal relationships, political activism, and lasting influence on music and culture. By early 1968, Buffalo Springfield had also disintegrated over personal issues, and after aiding in putting together the band’s final album, Stephen Stills found himself unemployed by the summer.

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Rocketsmiths

The rabble-rousing Rocketsmiths are at it again, with the release of new single ‘Underground’ – the Brisbane quintet’s rock ode to riding a slippery slope into depravity. Whether an autobiographical tale or not, the track is the first sign of the good times to come from their Magoo produced debut album titled The Bones, to be released nationally mid-year. The antipated debut album moves firmly in the direction of indie-rock and punk party jams, following the country/rockabilly tinged explorations of the EPs Parts, Pieces and Meet Horace And Clyde.

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Caitlin Park

Caitlin Park is an electro-acoustic folk artist from Sydney, Australia. Her music is highly influenced by nostalgia for older films (and their soundtracks) which developed through her work at a cult video store. A year of constant shows during 2009 included supports for PONY UP, The Devoted Few, Laura Jean, Leader Cheetah, McKisko, The Paper Scissors, Kat Frankie, The Dead Sea, Sarah Blasko, Holly Throsby, Sally Seltmann, Jack Ladder and more.

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Not OK

Not OK are a punk rock band based on the Gold Coast, Australia. The band is originally from Nelson, New Zealand. They moved to Auckland in 2005 and then on to Australia in 2007. They play a brand of punk rock influenced by the likes of Face to Face, The Bouncing Souls and Snuff.

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celadore

With a dedicated love of melodic pop-rock, Celadore’s approach to their debut EP Distance Is A Gun was all about the songs. “Our songs are drawn from personal experience. Distance Is A Gun is the title track and strangely enough was the last song that we worked on prior to recording. We had already started pre-production when Coops brought in a rough demo. With its catchy pulse and crashing chorus, it was the way the relatively bleak and defeated lyrics sat with the upbeat energy of the melody that stood out.” – Celadore

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