Alternative Rock | Musicosity

Alternative Rock

Platonic Sex

Birthed in sun-bleached Meanjin, Platonic Sex are a queer alt-rock band who don't sleep together, promise. Their songs are exercises in catch and release, vulnerable lyrics and guitar-driven melodies which swell and crash with emotion. Live, they’ve played alongside the likes of Good Boy, Full Flower Moon Band, Doggie Heaven, Adam Newling, Flowertruck, Flamingo Blonde and Hallie. After wrapping up their national tour dates with Hope D and Noah Dillon, they're gearing up to drop their second single of 2022, "Devil's Advocate".

The Buoys

The Buoys were an American pop/rock band from the early 1970s. Its membership included Bill Kelly, Fran Brozena, Jerry Hludzik, Carl Siracuse and Chris Hanlon, based in the Wilkes-Barre-Scranton, Pennsylvania area. They are most famous for the banned song "Timothy", which was written for them by Rupert Holmes.

The Buoys are most famous for their recording of Rupert Holmes's "Timothy", a song deliberately written to get banned, based on the theme of cannibalism. Holmes himself selected the group to record the song.[1]

Recorded at Scepter Recording Studios in New York City and released by Scepter Records in December 1970, with whom the Buoys had been signed but previously ignored, the song hit No. 17 on US charts in 1971.

In 1963, there had been a mine cave-in in Sheppton, Pennsylvania, a small mining community outside of Hazleton, Pennsylvania. Rupert Holmes told rock journalist Maxim Furek, “I learned about the Sheppton Mine Disaster after Timothy was on the charts. If I had known about that at the time, I probably never would have written the song because I don’t want to make fun of something that’s tragic.”[2]

Scepter executives did not catch what the song was about until after it started climbing the charts, after which they claimed that Timothy was a mule. Holmes rejected this attempt to change the premise of his song; he had intended it to be offensive. Holmes, with D. Jordan, wrote a less-successful hit for them titled "Give Up Your Guns" (1972), an epic narrative dealing with an escaped bank robber.

Much more serious in tone than their previous hit, "Give Up Your Guns" reached only No. 84. By contrast, "Give Up Your Guns" was a massive hit twice in mainland Europe, when originally released, and when re-released in 1979.

Holmes wrote a number of other songs for the band, including "The Prince of Thieves", "Bloodknot", and "Tomorrow", most of which had much of the darkness but little of the humor of "Timothy". Like "Give Up Your Guns", they are complaints by criminals.

Holmes now writes Broadway musicals. Rock journalist Maxim Furek later wrote a book connecting Sheppton to what he called The Sheppton Mythology.

Louder Than Love

Louder Than Love is the second studio album and major-label debut by American rock band Soundgarden. It was released on September 5, 1989, by A&M Records. After touring in support of their debut album, Ultramega OK (1988), Soundgarden left SST, signed with A&M and began work on its first album for a major label. The songs on the album featured a metal-leaning grunge sound with some songs featuring unusual or unorthodox time signatures.

Due to the nature of some of the lyrics (particularly "Big Dumb Sex"), a Parental Advisory sticker was placed on the album packaging. Louder Than Love would become the band's first album to chart on the Billboard 200, peaking at No. 108. The band supported the album with tours of North America and Europe. It was the last Soundgarden album to feature the band's original bassist, Hiro Yamamoto. It was later reissued on January 25, 2002.

Dylan's Omens

Dylan's Omens erupt into 2024 at The Workers Club! with support from SMILAS and Titration, the rock and metal quartet promises to bring it on January 6th, 2024. Old music, new music, and most of all... LOUD music.

David M Western

David M Western returns with a national tour in support of the stunning and reflective new album ‘On, On & On’ - out 20 Oct 2023 on Cheersquad Records & Tapes on vinyl and digital.

A depth and a quiet pull is found in the music of David M Western. Even his hell-storm, stadium-filling country-rock numbers can deliver a gut punch you never saw coming. Moments of reflection, cutting witicism and strange comically driven anecdotes will be thrown at you from every direction. David M Western will be simultaneously driving you while keeping you calm from the passenger seat.

Having got his start as a musician hopping bars playing bass or guitar for bands in the thriving Melbourne folk-rock and country scene, David has now stepped into the spotlight leading his own band of world class Australian session musicians.

Building on his growing reputation from debut 2022 album titled ‘Child Mind’, Western observes through an even more incisive and soul-searching magnifying glass on his latest release, the vast, reflective and tender album ‘On, On & On.’.

In the lead up to the release of ‘On, On & On’, David has played to packed rooms each week as part of his residency at the now cult-icon Melbourne pub ‘The Gem’, played to a sold out album launch show at The Old Bar, toured in support of Ella Hooper (Killing Heidi) and signed to Melbourne indie label ‘Cheersquad Records & Tapes’.

Written and recorded within roughly three months, recorded almost entirely live and with minimal overdubbing, ‘On, On & On’ will floor listeners, enjoying at first the quality of songwriting and excitement within the songs, yet returning for the emotional connection they will find within the lyrics.

Liar Liar

"Liar, Liar" was recorded by American singer Debbie Harry for the soundtrack to the 1988 film Married to the Mob, and produced by Mike Chapman. It was their first collaboration since the 1982 Blondie album The Hunter. The following year, the two would team up again for Harry's album Def, Dumb and Blonde. A music video, co-directed by Adam Bernstein, was produced to promote the single.[4] The song debuted and peaked at number 14 on Billboard's Modern Rock Tracks chart for the week ending September 10, 1988.

Kids Break Glass

Kids Break Glass are a newly formed alt-rock group from Naarm/Melbourne. The four-piece takes influence from the likes of Ball Park Music, Gang of Youths and Catfish and the Bottlemen to bring you an exciting and explosive set. With psychedelic drums and the slap of the bass, Kids Break Glass are ready to blow the roof off with their new sound. Culminating years of experience playing in the garage together, they're finally ready to show what they have to offer.

Shakerfaker

Shakerfaker is Australia's ORIGINAL & best Oasis tribute. Selling out top venues across the country for over 15 years and counting with their fun filled Live celebration of the band's sound & spirit. Mad fer it!

THE CROOKEDS

The Crookeds are a Melbourne 4-piece making rock music like you’ve never heard. Perfect amounts of grit and splendour combine to create an alluring and epic sound. The band effortlessly combine tight drums, groovy bass, and heavy riffs with angelic, Buckley-esque vocals to create one-of-a-kind, heavy rock ‘n’ roll. 2019/20 saw The Crookeds release two massive singles ‘Sucker for Pain’ and ‘Never Get It’. During this time, the band also embarked on two massive national tours, allowing them to refine and perfect their infectiously energetic live show in venues across the East Coast. Rearing to go following the Melbourne lockdowns, the boys have come back strong with a massive new track ‘Dead Eye’ - a hard and fast take on society’s shift from intuition. Dirty riffs and powerful grooves combine effortlessly as the band takes you on an epic sonic journey. With a recent run of sold-out hometown shows, and an EP on the way, these guys are proving they are a rock ‘n’ roll force to be ...

Members
Sonny James // Oscar Linkson // Matt McLean // Brad Biviano

Big Moist and the Smoking Durries

Big Moist and the Smoking Durries are 3 geezers and a gal from the suburbs of Naarm/Melbourne, Australia, who love singing about beers and having a right good old time!

With hints of indie tones and shameful confessions, BMSD continue to staple themselves on the Aussie music scene, with their ecstatic, hard-hitting and carefree aesthetic coupled with some of the most relatable tracks ever written!