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australia

Yeah Wednesday

Gavin and Janette from Yeah Wednesday met while working together in an internationally touring band. After realising that life had become 'Groundhog Day', they unpacked their suitcases to concentrate on writing and recording ... and have secured publishing deals in both Australia and the US. Some of their music has been licenced to the fashion industry - and they've also written/ produced tracks for Comedians and other Indie artists .... 'Gravity Is Our Friend...' - a collection of 10 tracks ranging from Electro Dance Rock, to Blues, to Nu-Jazz, to Trip-Hop...

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Buried Horses

DEBUT ALBUM 'TEMPEST' AVAILABLE HERE...
http://www.spookyrecords.com/index.html Buried Horses deliver a dark and foreboding sonic vision that captures the rugged beauty of our violent landscape. Described as ‘a combination of Dirty Three (subtract screeching violin, add ravenous vocals) and early Drones,’ Buried Horses proudly draw on the strong tradition of great Australian music. Buried Horses have recently signed to Melbourne’s heart of darkness, Spooky Records.

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Zond

Zond are a maximum volume, minimalist soundrock group based in Melbourne, Australia. They are named after a member of the group's childhood dog and/or a Hi-God People track and/or satellite of the USSR. Their live shows and recordings vary from screaming psych punk car crashes to ambient alloy radiation field hum: all that can be known in advance is the intensity of the performance. Zond includes members of past and present groups: Fong, Library Punks, On, Mum Smokes, Ned & the Meds, Wasted Truth.

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The Barons of Tang

In their own words, The Barons of Tang describe themselves as "gypsy deathcore." Hailing from Melbourne, Australia, they take the best from gypsy, and add a slightly heavier edge to it. Vocals are kept to a minimum, allowing the raw energy of the instruments to pull the listener into a crazy trance fuelled by catchy beats and hanging on delicious melodies.

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machinoir

machinoir is a solo noisegrind project from the Blue Mountains, Sydney, Australia. The works of Dillon Ashcroft and collaborators combine elements of modern black metal with harsher grind and noise elements to create chaotic and dense songs.
Forgoing bass guitar and live drumming, songs utilize programmed drums without falling into the sterile one-tempo four-four sound of other bands.
The band has been likened to Genghis Tron, The Locust, Pig Destroyer and Discordance Axis, however there is a more lo-fi approach reminiscent of Mechagodzilla and Xrin Arms.

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Geoffrey O'Connor

Geoffrey O'Connor, lead singer of Australian band The Crayon Fields, is currently finishing a follow up album to his debut 'Liquorice Night' (released in 2007 under the moniker 'Sly Hats'). He has been lucky enough to play with some favourites such as Little Wings (US), Calvin Johnson (US), Jens Lekman (Swe), Mt Eerie (US), Fleet Foxes (US), Kath Bloom (US), Camera Obscura (SCO) The Brunettes (NZ), Micah P. Hinson (US), New Buffalo and Dear Nora (US). GOC has also performed in America, Japan, Sweden, Denmark, Scotland, England and Germany.

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Kooii

The music of Kooii is unique, resting readily in a morphing Australian way of life. Their songs click with many, and the music is held dearly. Kooii breathe, roll and transform. They are a seven-piece collective with a ‘rootsy-tribal-groove’ that is both urban and earthy. Reggae, Jazz and Latin are realised in the sound. The group started some two and a half years ago as a duo of trumpeter Peter Hunt and percussionist Anthony Forrest (who both also play guitar). It has since grown to its present form.

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The Jane Austen Argument

The Jane Austen Argument are a Melbourne, Australia-based indie cabaret noir duo who combine raw ballads and sharp tongues with chaotic abandon and overtones of anti-folk and punk love. Brought together through a chance cigarette break encounter (I have a cabaret show and need a pianist. I’m a cabaret pianist in need of a show…), a shared love of Regina Spektor, Nick Cave, dressups and theatrical musical convention, The Jane Austen Argument’s Tom Dickins and Jen Kingwell have been playing together since around September 2009, although it mostly seems a lot longer.

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