Los Angeles producer Nosaj Thing crafts stately, ethereal synth-based instrumental hip-hop, with influences that range from Boards of Canada and DJ Shadow to Danny Elfman and Erik Satie. An L.A. native, Jason Chung was inspired at an early age by the hip-hop radio stations that the bus driver would play on his way to elementary school, and particularly by the Beat Junkies' turntablism on Power 106.
Dieter Moebius (Dr Morbius, born 1944 in Switzerland) is a German/Swiss experimental/krautrock/ambient/electronic musician. Moebius studied art in Brussels and Berlin and met there Hans-Joachim Roedelius and Conrad Schnitzler (Tangerine Dream). They founded a band Kluster in 1969. After the departure of Schnitzler, they changed their name to Cluster. Later Moebius and Roedelius founded the band Harmonia with Michael Rother (Neu!), which also collaborated with Brian Eno. Dieter Moebius was involved into numerous projects with such musicians as Conny Plank, Mani Neumeier (Guru Guru).
There are currently at least 3 acts performing as Signals. 1) A Japanese instrumental project.
1) Ex-members of LA indie outfit The Mae Shi
2) British experimental electronic instrumental 1) Signals is an instrumental project lead by former BLANKEY JET CITY and current PONTIACS bassist 照井利幸 (Terui Toshiyuki). In addition to writing all of the band’s tunes, Terui plays acoustic guitar. The other two members are 椎野恭一 (Kyōichi Shiino) on drums and 勝井祐二 (Katsuki Yūji) on violin. The first Signals album, Lapis Sky, was the first material to be produced by WELD MUSIC CHAMBER.
Grouper is the solo project for ambient musician Liz Harris, of Portland, Oregon. Harris' music is a mixture of softly-strummed guitar, Wurlitzer keys, and her delicate, dreamy vocals, all of which are heavily drenched in reverb. Harris’ first album was 2005’s Grouper, a self-released full-length CD-R, followed later that year by Way Their Crept on Free Porcupine (re-released in 2007 on Type Records). Other recordings include 2006's He Knows, released as a 3" CD, the 12" Weird Forest release Wide in 2007, and a 7" called Tried.
Brisbane, Australia. Restream is a producer creating shoegaze lofi post-rock. Though there are ideas from laptop music, glitch and abstract hip hop, this album is about songs, epics more often than not, with a firm focus on harmonies and textures more than the intricacies of beat science. His debut release "Loopsforstereogram" corresponds to a computer artist wringing life out of computers, repeating the improvised, integrating the indie record collection with the electronic.
There are currently two Andy Webbs in the last.fm datasbase: 1. Andy Webb is a disco/house artist (also known as Disco Delicious) from New South Wales, AU 2. Andy Webb is an instrumental avant progressive metal project utilizing all synthetic instruments through midi programming to create music. He has two official studio albums out for free (or paid) on his bandcamp.
Moskitoo is Sanae Yamasaki (b. 1978), a sound-artist and graphic designer residing in Sapporo, Japan. She began making music in 1997 playing guitar and small casio keyboards in various bands in Sapporo. In 2005 she began writing, playing, and singing under the moniker Moskitoo. "Drape" (2007, 12k1041) was her first full-length release. A 4 track EP with remixes shortly followed, featuring remixes by Frank Bretschneider, Mark Fell and Taylor Dupree, who was also the mastering engineer on "Drape".
SK123 is a UK-based ambient, electronica and techno artist who began his musical career in the summer of 2000. Taking inspiration from releases on Ninja Tune, Rephlex and Warp records, SK123 released a large number of experimental EPs and short albums between 2002 and 2005. The following year he was able to produce two full-length albums (River Monkey and Zeolites) and two EPs, and in 2007 he released Soundwave to an appreciative online fanbase.
Sophie Hutchings is Australian pianist and composer. Having begun playing piano young growing up in a musical family, Sophie started writing properly in her teens. Sophie’s compositions move from disarmingly spare and elegant beginnings to curl out with a tingling edge, propelling its austerity into urgent and epic realms. Violin, cello, drums, percussion and organ heighten the flight these pieces can take as well as dip and swell within the more dimly lit moods of gentler nuance, casting a particular spell across the range of feeling captured in Sophie’s playing.