The Bakery
The Bakery are an 11 piece band from Sydney, Australia. With a sound that is a mixture of funk, reggae and ska these guys have some balls. They have two charismatic female singers whose vocals are comparable to the great Gwen Stefani but with a little more soul, and a five-piece horn section. Naughty lyrics and a playful nature this band has a loyal following, and their debut album launch sold out The Basement in Sydney. Emily Collins: Vocals
Rosie Henshaw: Vocals
James Maybury: Trumpet
Dave Dziedzic: Trumpet
George Clinton
George Clinton (born July 22, 1941) is an American musician, widely considered one of the forefathers of funk. He was the mastermind of the bands Parliament and Funkadelic during the 1970s and early 1980s, and was a solo funk artist as of 1981. He was born in Kannapolis, North Carolina, grew up in Plainfield, New Jersey, and currently resides in Tallahassee, Florida. In Plainfield, he ran a barber salon, where he straightened hair, and soon formed a doo wop group, inspired by Frankie Lymon & The Teenagers, called The Parliaments.
Vince Jones
Vince Jones (born 1954) is an Australian jazz artist. He is a singer, songwriter, and trumpet/flugelhorn player. His music includes both original music and new contemporary versions of jazz standards. He attributes his love of jazz to hearing a recording of Miles Davis's Sketches of Spain when he was about 14. He taught himself to play the trumpet. Vince was born in Glasgow, Scotland and his family moved to Wollongong, Australia when he was 11 years old. He began his career as a bebop trumpet player.
Danny Thompson
Born Teignmouth, England, 4th April 1939. Danny Thompson is an English double bass player perhaps best known for his work with the English folk rock group Pentangle and his longstanding partnership with John Martyn, Primarily a jazz player, his earliest recordings were made with bluesman Alexis Korner. As well as Pentangle and Martyn, Thompson worked with other eclectic folkies such as Davy Graham, Nick Drake abd The Incredible String Band as well as the South African jazz pianist Chris McGregor, while his numerous session credits included Cliff Richard's Congratulations'.
maddy hay
Honestly I don't know how I sound the way I do - My ears are always switched on searching for cool and unusual sounds. I hear them in the hustle and bustle of city streets, building sites, cafes, and playgrounds. I have a vivid imagination, and can tune out and step right into a dream, at the drop of a hat. My friends think that my head is in the clouds and my producer Jonathan Zion thinks there is no doubt about it. This doesn't bother me at all, it's how I write my songs. It's very magical. I just sit at my piano, gaze out my window and dream.
Femi Kuti
Femi Kuti is an award winning Nigerian musician, and the oldest son of legendary Afrobeat pioneer Fela Kuti. Femi was born in London on 16 June 1962 and grew up in the former Nigerian capital Lagos. Like his father, Femi has shown a strong commitment to social and political causes throughout his career, but he differs in his religious views. In 2001, Femi collaborated with a number of US musicians such as Common, Mos Def, and Jaguar Wright, on his Fight to Win album. This album was widely regarded as the most influential Neo-Afrobeat album of the early 21st century.
Lucky Elephant
Lucky Elephant are united in a desire to provide warm, inviting, melodic, challenging, fresh music. The 4 dashing young blades armed only with a collection of high maintenance, but hugely loveable old synths, tape delays, Wurlitzers, harmoniums, drums, ukuleles and guitars stride proudly out to battle – confident that the truth will out, and that once again music can provide inspiration and comfort.
Bohjass
Bohjass are a high energy, experimental free jazz outfit at the forefront of the Melbourne Music Improvisation Music scene. Led by saxophonist Tim Pledger
Grim Fandango
Grim Fandango may refer to:
1. Hardcore / Punk Rock band from Perth, Western Australia (www.myspace.com/grimfandangomusic) 1. Formed 2006 in Perth, Western Australia, Grim have finely crafted a unique sound that transcends their hardcore/punk roots. Characterized by intertwining jangling guitars, abrasive three-way vocal melodies and a tight driving rhythm section Grim Fandango write ferocious, discordant songs beaming with an undeniable presence of pop-sensibilty and optimism.