hardcore punk | Musicosity

hardcore punk

Break Even

There is more than one artist with that name: 1. Since forming in the suburbs of Perth in 2005, Break Even have endured almost every experience a young band can; the highest of highs and the lowest of lows. The former includes putting out 2 successful releases and touring the country countless times with some of the biggest names in local and international hardcore. The latter on the other hand, includes undergoing numerous lineup changes and on a greater scale, a tragedy in the death of a band member.

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Comadre

Comadre is a band from Redwood City (a suburb of San Francisco), California, comprising of former members of Heartcrosslove, One's Own Ruin, and Light This City. Their sound is an off-shoot of hardcore and punk played fast and chaotic with an abundance of energy, but also a large focus on melody and tunefulness. Their influences can perhaps best be shown by the covers the band has performed live, by groups such as Rites of Spring, Refused, Kid Dynamite, and Suicide File.

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Bridge the Gap

With an average age of 17, a solid work ethic and impressive writing skill, Perth's BRIDGE THE GAP represents the new breed of Australian hardcore. With interesting hard hitting riffs, aggressive vocals and socially conscious lyrics.
For fans of: NO WARNING, CRUEL HAND, GO IT ALONE and LION OF JUDAH. EP available through www.suppressionrecords.com
Listen @ www.myspace.com/bridgethegaphc
Become A Fan: http://www.facebook.com/pages/BTG/179037228044?ref=ts

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Battletruk

Battletruk are four mates who defy trends and play hardcore that they grew up on. Straight up no bullshit punk influenced short fast nasty songs to mosh to. Currently just released a split with friends Pillar of Hope, called Battle of Hope on beerfridgerecords/MGM (avail now at all good record stores on OZ). After successful launches in Aug, the next stop is a Madball support followed by a show with The Dead Walk. checkout their myspace (battletrukhc).
TRUK YEAH

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Dead Kennedys

Dead Kennedys are a punk rock band from San Francisco, California. During the 1980s the band gained a large underground following in the international punk music scene. Their music mixed the more experimental elements of English 1970s punk with the raw energy of the 1980s American hardcore punk scene. Dead Kennedys' songs mix the deliberately shocking lyrics of punk with a humorous, acerbic, satirical, and sarcastic left-wing commentary on current social and political issues.

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Lookin' In

Lookin' In are a 5 piece Straight Edge band from Melbourne, Australia formed in early 2007.
Playing fast energetic hardcore in the vein of Turning Point, Floorpunch and Stop and Think. In a time where fast punk influenced hardcore is at a minimum, Lookin' In bring a raw and honest approach to today's hardcore scene.

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Your Demise

Hate filled hardcore from St Albans, UK. Parting with your frontman, merely weeks after the release of your breakthrough debut album, is not an event many could take in their stride; the annals of musical history are not exactly littered with bands that have lived to tell the tale. But Your Demise are amongst a determined few, the British quintet standing tall at the climax of the busiest, most demanding year of their collective lives – unbeaten, unbroken, unscarred, having positively transformed adversity into rebirth.

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OFF!

The individual roots established by Keith Morris (Black Flag/Circle Jerks), Dimitri Coats (Burning Brides), Steven McDonald (Redd Kross), and Mario Rubalcaba (Earthless/Hot Snakes/Rocket From the Crypt) are uniquely woven throughout the rock music canon. Each has challenged society's cyclical and complacent ideals in their own respective bands, and three decades on they've never strayed from their intentions.

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D.O.A.

1) Vancouver's D.O.A. were an early and extremely influential punk rock band. Formed in 1978, they quickly got down to business by releasing the Disco Sucks EP on singer/guitarist Joey Shithead's own Sudden Death label. Along with other early pioneers, they blazed the trail to a North American punk scene by putting out records and touring with virtually no existing 'scene' infrastructure to rely on. Early shows included clashes with audience members and police, and they can attest that police riots at punk shows were not strictly an LA occurrence.