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Senyawa

Rully Shabara is a frontman and vocalist of Zoo, a math-rock/experimental band based in Yogyakarta, Indonesia. In Zoo’s latest trilogy album he develop the music direction with traditional music approach by using javanesse language and traditional instrument but still in the vein of punk music. Meanwhile, Wukir Suryadi devoted his life into traditional music even in his teen he also listening to rock and heavy metal (musical genre that very popular in Indonesia back in the ’80s). He is best known when he create his own instrument named Bambuwukir by himself.

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Yeshe

Singer, songwriter and multi-instrumentalist Yeshe is a world nomad having lived in over 20 countries and embedding himself in their music and culture. His first solo album is titled World CitiZen. Born in West Germany, Yeshe was passionately interested in other cultures, especially Africa, from early childhood. As a young teenager Yeshe became involved in the flourishing 70s African music scene and by the age of 14 Yeshe was performing with a variety of percussion ensembles.

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Ana Moura

Portuguese vocalist Ana Moura, whose soulful and riveting interpretation of her land's captivating fado style has made her a star in Europe. Ana Moura has become a leading exponent of this poetic, deeply expressive idiom which personifies the Portuguese psyche as it explores such universal themes as lost love, separation, and longing. As Ana explains, "It's very special because it's all about emotions and feelings. It needs no translation."

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King Kapisi

King Kapisi is a Hip-Hop artist prominant in the New Zealand/Australian Hip-Hop music scene. His real name is Bill Urale. He was the first Polynesian Hip-Hop artist who received the prestigious APRA Silver Scroll Award for Songwriter of the Year for his single 'Reverse Resistance' in 1999.
He released 3 albums: "Savage Thoughts", "2nd Round Testament" and "Dominant Species" and has his own clothing label "Overstayer Clothing".

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The Crooked Fiddle Band

The Crooked Fiddle Band are a four-piece from Sydney, Australia who formed in late 2006. acoustic and mainly instrumental, tCFB are influenced by / include Eastern European, Celtic and USA traditional material in their punked up compositions. Instrumentation includes violin, double bass, drum kit, guitar, bouzouki, mandolin, charango, hand percussion, cello. Free downloads are available from the Triple J Unearthed site and their Myspace. Links for buying their music are available through their official website: http://www.crookedfiddleband.com.

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Juzzie Smith

Juzzie Started playing the harmonica at 13. By 23 he had won the coveted Golden Harmonica at the Tamworth Country Music Festival, and the Byron Bay Blues Blowout twice. He has in the course of his musical journey embraced and mastered a range of instruments, and absorbed influence from some diverse musical styles. Juzzie has played in a lot of bands, some fantastic and some forgettable, and performed with some of Australia's best musicians, including John Butler, Damon Davies, Jodi Martin and Jeff Lang.

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Richard Bona

Born in 1967 in the village of Minta in East Cameroon, Bona grew up in a home filled with music. He began to perform in public at the age of five, singing in the village church with his mother and four sisters. His earliest instruments were wooden flutes and hand percussion. Eventually he constructed his own 12-string acoustic guitar. After moving to the bigger city of Douala, Richard began playing gigs at the age of 11 on a rented electric guitar. A major turning point in his life happened in 1980 when a Frenchman came to his town and established a jazz club in a local hotel.

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Nitin Sawhney

Nitin Sawhney (raised in Rochester, Kent, England) is a london-based composer and dj of various styles of music, including jazz, drum and bass, hip-hop, flamenco and modern orchestral compositions. His major works include Beyond Skin, Prophesy, Human, and Philtre. He is considered one of the pioneers of what is known as the Asian Underground music scene, defining a music genre that mixes south-asian musical influences with western electronica and breakbeat style. He does however dislike the tag of "world" music, describing it as musical apartheid.

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