electronica

Sébastien Tellier is an exceptional, highly personal & intimate artist echoing such other one-offs as Robert Wyatt, Syd Barrett or Serge Gainsbourg. His first LP, L'incroyable vérité (The Incredible Truth) (2001), was a fantastical pop album, which careered from lo-fi electronica to bizarre cabaret tunes. Its sleeve featured Tellier in full evening dress on the front, while the back of jacket had a shot of him cavorting in some playboy’s pool. He instructed listeners to only listen to the album by candle light and won a tight band of adherents, who fell for his lush, humorous compositions.

Freedom Williams knows how to set the world in motion. As front-man and rapper for C+C Music Factory, he led ubiquitous anthem “Gonna Make You Sweat (Everybody Dance Now)” to No. 1 around the globe, including five weeks at the top of the U.S. Club Play chart and a reign on both the Billboard Hot 100 and Hot R&B charts in 1990.
His iconic rapid-fire machismo also appears on follow-up C+C singles “Here We Go” and “Things That Make You Go Hmmmm”—both No. 1 dance hits—leading accompanying album “Gonna Make You Sweat” to sales of more than 8 million worldwide.

"Cool" uncles have always gotten kids into all kinds of wonderful mischief, but 22-year-old Peter O'Grady from London , better known as Joy Orbison, was especially blessed—he credits uncle Ray Keith with introducing him to jungle and U.K. garage long before he could ever hit the clubs. At the age of 13 he took up DJing and eventually moved into production, beginning with Fruity Loops-crafted 8-bar grime loops before shifting into headier territory that combined his love of house, disco, and dubstep with the atmospheric fuzz of bands like My Bloody Valentine, Josef K, and The Beach Boys.

Profile: With the deluge of techno artists from all over the world making headlines, it's easy (although very wrong) to forget that techno was created in Detroit, Michigan by African-American visionaries like Kevin Saunderson, Juan Atkins and Derrick May. From there Kenny Larkin began his music career in 1990 after serving two years in the U.S. Air Force, where he was repairing computers. Hanging out at local Detroit clubs like The Music Institute and The Shelter, he soon hooked up with Richie Hawtin and John Acquaviva records under a variety of monikers, including Dark Comedy, Pod and Yennek.