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Cortex

Four (or more) artists have gone by the name Cortex: a French jazz-funk group from the 70s, a Swedish punk band, a Spanish metalcore band and a experimental Belgian project by Alain Neffe. 1. A French jazz funk group from the seventies.
Key members were Alain Mion (Piano) and Alain Gandolfi (drums, percussion). Cortex recorded several albums and singles for the Sonodisc label. 2 albums got re-issued: 'Troupeau Bleu' (on 'Dare-Dare') and 'Volume 2' (on 'Follow Me'). 2. A Swedish punk or post-punk band from Gothenburg.

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The Necks

The Necks are an experimental jazz trio from Sydney, Australia, comprising Chris Abrahams on piano and Hammond organ, Tony Buck on drums and Lloyd Swanton on bass guitar and double bass. The band plays improvisational pieces of up to an hour in length that explore repeating musical figures. As well as jazz, they are strongly influenced by Krautrock.

Typically, a live performance will begin very quietly with one of the musicians playing something very simple. One by one, the other two will join with their own melodies, all three independent yet intertwined. A piece of music usually lasts about 45 minutes and over this time grows in volume and pace and complexity before petering out. They are quite simply an extraordinary live experience.

The Necks are also well known in Europe. Their soundtrack for The Boys was nominated for ARIA Best Soundtrack Album, AFI Best Musical Score and Australian Guild of Screen Composers Award. They have also recorded soundtracks for What's The Deal? (1997) and In the Mind of the Architect (three one-hour ABC-TV documentaries, 2000). Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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ROBERT GLASPER

Robert Glasper was raised in Houston, Texas. His mother was his first and strongest musical influence. Mrs. Glasper not only played piano and sang gospel music in the family's church, she led a band that worked the city's jazz and blues club circuit as well. By the age of twelve, young Robert was playing piano in that church. "Gospel music is built on emotion and spirituality; you go to church and leave crying," he smiles. "It definitely just gave me that sensitivity and knowing how to reach people and knowing how to be in tune with your feelings and the emotion of the music. My thing is, it helps me relate to the audience 'cause they're gonna give you what you give them. When you bring the crowd into your world, you can do anything you want."

By the time he reached adolescence, Robert knew his destiny was to be a jazz musician. He was accepted to the Houston's famed High School for the Performing Arts ("Jason Moran went there before me."). Post-graduation, Glasper enrolled at New School University in Manhattan. Soon after arrival, he hooked up with future bandmember Reid and vocalist Bilal, an old schoolmate. As an undergrad, Glasper gigged with Christian McBride, Russell Malone and Kenny Garrett. Professional life after the New School was even sweeter: stints with Nicholas Payton, Roy Hargrove, Terence Blanchard, Carmen Lundy, and Carly Simon.

The Bilal connection brought the pianist back to hip-hop. Glasper's contributions to Bilal's debut and subsequent tour brought him to the attention of Q-Tip (A Tribe Called Quest). "Tip would come hang out at my shows, and one day he called me and said, ‘I'm doing this tour and I need you to play keys. Can you do it?’” He's also since played with Mos Def, and is featured prominently on Bilal's forthcoming sophomore release.

In 2003, Glasper's first album Mood was released on indie label Fresh Sound New Talent, and two years later, Blue Note came calling. At Blue Note, Glasper joins a jazz piano legacy that stretches back to 1939, beginning with Albert Ammons and Meade Lux Lewis, and continuing through Thelonious Monk, Bud Powell, Herbie Hancock, McCoy Tyner, Chick Corea, Andrew Hill, Cecil Taylor, Gonzalo Rubalcaba, Jacky Terrasson, Jason Moran and Bill Charlap. Undaunted, Glasper reflects, “I’m just happy to be a part of the Blue Note family and its rich history.”

-- From Glasper's Official Website Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Mark Murphy

Mark Murphy (b. 1932) is an American jazz singer based in New York. He is most noted for his vocalese and vocal improvisations with both melody and lyrics. He is the recipient of the 1996, 1997, 2000, and 2001 Down Beat magazine readers jazz poll for Best Male Vocalist of the Year, and is also the recipient of six Grammy award nominations for Best Vocal Jazz Performance. He is also famous for his original lyrics to the jazz classics "Stolen Moments" and "Red Clay".

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