Indie Rock

TV on the Radio is a Brooklyn, New York, USA-based band that was formed in 2001. Their music is difficult to classify and is often described as art rock or post-punk, but is educated by a diverse spectrum of styles including freeform jazz and a cappella music, psychedelia and trip-hop, modern soul and classic '90s indie rock, giving them a unique and original sound. The core members are Tunde Adebimpe (vocals, loops), David Andrew Sitek (guitars, keyboards, loops) and Kyp Malone (vocals, guitars, loops), but the band is accompanied by additional members when performing live.

Blonde Redhead is an alternative rock band originating from New York City in the early 1990s. It was formed by Kazu Makino, Maki Takahashi and Milan-born Italian twin brothers Simone Pace and Amedeo Pace. They take their name from a song by DNA, a 70s and 80s no-wave band from New York. Blonde Redhead caught the attention of Sonic Youth's drummer, Steve Shelley, who produced their first self titled album in 1993.

Glass Towers are a four piece indie band from Sydney, New South Wales, Australia.
Members Benjamin Hannam (guitar, vocals), Cameron Holdstock (bass), Sam Speck (guitar) and Daniel Muszynski (drums) formed the group around Hannams solo bedroom recording project in early 2008 during a music class at school. The band opened the mainstage at Splendour In The Grass 2009 at the age of 17 and were finalists in Triple J's Unearthed High Competition for 2010. They released their debut EP "What We Were, When We Were" in 2011 amidst a year of heavy touring activity around Australia.

http://therecommender.net/2011/09/22/zulu-winter/
We’re all aware of the term ‘buzz band’, right? It’s something applied to emerging artists who are riding the (usually online) cultural chatter, the ‘band of the moment’ if you will. It’s obviously a horrific title to apply to any new band, as although it suggests excitement among the taste-makers, it’s likely to burn bright, but ultimately burn out as fast as it arrived. It’s temporary. It’s brief. It’s deadly and no bands want their hard work to be labelled as something that’s so instantly due for rapid decline.