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Tesseract

UK-based metallers Tesseract will celebrate the dawn of a new decade with something truly special when they unleash their debut album ‘One’. The record will mark the realisation of a bold, experimental creative vision that began in 2003 as a solo writing project in the mind of guitarist Acle Kahney and has subsequently spawned one of the most hotly tipped metal bands in the UK. Since the formation of the band’s five-piece line-up in spring 2007, Tesseract have picked up richly deserved props from peers (Textures, Meshuggah) and press (Metal Hammer, Rock Sound, Scuzz) alike.

Tesseract (often stylised as TesseracT) are a British progressive metal band from Milton Keynes. The band, formed in 2003, consists of Daniel Tompkins (lead vocals), Alec "Acle" Kahney (lead guitar and producer), James Monteith (rhythm guitar), Amos Williams (bass, backing vocals) and Jay Postones (drums, percussion). The band is currently signed to Kscope.They are credited as one of the bands to pioneer the djent movement in progressive metal.[3] As of 2023, Tesseract have released five studio albums: One, Altered State, Polaris, Sonder and War of Being, as well as two live albums, Odyssey/Scala and Portals, and the extended plays Concealing Fate, Perspective, Errai and Regrowth.

Nebulam

Start the new year with an afternoon of raw, nasty, groovy and hardcore metal at The Workers Club. Melbourne’s underground scene comes alive with the high energy and skull crushing sounds of PURE AUSSIE FILTH.

Nebulam brings their black hole sound of intense hardcore featuring brutal riffs, head-pounding drums and powerful screams. Making appearances are Frankston’s very own death/hardcore crossover False Dichotomy, as well as Melbourne nu-metal powerhouse Chazévo.

Malcura

“Rock Meets Flamenco”

Malcura are an exhilarating acoustic trio from Australia. Honing their craft as buskers in Melbourne’s Bourke Street Mall, Malcura have captivated the Australian public with their distinctive sound, which fuses Flamenco instrumentation with Latin rhythms and a Rock’n’roll mentality. Malcura create music for the soul; it’s a feeling as much as it is a sound.

It has been a busy few years since Malcura made their mark with their debut EP “Flamenco Metal”. Their tireless work has seen them grow their act from the streets to the big stage. The band attracted worldwide attention in 2015 with their original rendition of Daft Punk’s “Get Lucky”, providing the perfect platform to release their exceptional debut album in 2016.

“Malcura”, the band’s independent debut album, was released with a launch show on the Federation Square Main Stage in February 2016, followed by two East-Coast tours and extensive busking performances in support of the release. The album received tremendous support from Fiesta Jazz on PBS 106.7FM and high rotation on community radio nationwide, selling thousands of copies and receiving a nomination for the award of 2016’s “Best Global/Reggae Album” at The Age Music Victoria Awards.

Malcura have been packing out venues and dancefloors across Australia and have also performed at a number of major Australian festivals, including the Illawarra Folk Festival (NSW), Wallaby Creek (QLD), Bendigo Blues and Roots, St. Kilda Festival and Tanglewood NYE Festival. Their performances are alive with spirit, weaving through intricate arrangements with virtuoso musicianship and gusto.

Malcura have performed alongside the likes of Tijuana Cartel, Tash Sultana, The Pierce Brothers, Clowns, Kenta Hayashi (Japan), and Dallas Frasca; and even joined Mexican guitar heroes Rodrigo y Gabriela on stage at the Palais Theatre for an unexpected guest appearance that was met with a standing ovation. This once-in-a-lifetime opportunity served as the inspiration behind the trio’s single “Palais” and its stunning cinematic music video, which was filmed inside the Palais Theatre.

The much-anticipated second album from Malcura is currently in production and appears set to attract the attention of music fans across the globe. The band ensures it will be even more textured, daring and infectious than their first.

Pull Down The Sun

Pull Down The Sun are a metal band from Whanganui who describe their sound as atmospheric and groove-heavy music, shaped and inspired by the curious history and scenic nature of Aotearoa. They released their debut album, ‘Of Valleys and Mountains’, in late 2020, and the title track features as part of NZ On Air Music’s NewTracks compilation this June. Guitarist Koert Wegman talked about the song, band and album with NZM.

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Caligula's Horse

Caligula’s Horse, hailing from Brisbane, Australia, are a leading light in contemporary progressive metal. Their colourful and emotional music, spanning influences as diverse as King Crimson, Steely Dan, Opeth, and Jeff Buckley, has forged a deep and lasting connection with fans across the globe.

Caligula’s Horse have taken ambitious strides with every release, maintaining a course of continual artistic development and reinvention. Formed in 2011, the band garnered critical acclaim for their eclectic and exploratory debut, Moments from Ephemeral City (2011), and its dark, conceptual follow-up, The Tide, the Thief & River’s End (2013). But Caligula’s Horse truly made their mark worldwide with their vibrant and hard-hitting third album, Bloom (2015), the first on prestigious German record label, Inside Out. It was on the back of this record that the group expanded its touring regime beyond Australia, including shows with the likes of Mastodon, Opeth, the Dillinger Escape Plan, Tesseract, and Anathema. Caligula’s Horse’s fourth album, In Contact (2017), with its grand concept and expansive dynamics, was the first to break the Australian ARIA Top 50 Chart. Its critical and commercial success saw the band grow its reach tremendously, packing out venues across Australia, the UK, and Europe, and touring the Americas for the first time.

In 2020, Caligula’s Horse released their most focussed and potent artistic statement yet: Rise Radiant, an uncompromising exploration of the human experience dressed in vivid musical colour and virtuosic performances. It was the culmination of the band’s artistic development, concentrating the expressive stylings which have endeared Caligula’s Horse to legions of fans worldwide. But it is also far more. Rise Radiant is the Caligula’s Horse sound pushed to its extremes: at once its most ferocious and its most touching, its most expansive and its most condensed, its most poetic and its most vicious. Rise Radiant is an anthem for the regeneration of self-belief, an exploration of the themes of legacy, and a rallying cry for survival.

With the release of Rise Radiant, Caligula’s Horse celebrated their highest international chart positions yet, highlighted with #23 on Australia’s ARIA Albums Chart, and #43 on the German Albums Chart, plus #5 UK Rock Albums and #10 USA Current Hard Music Albums. Rise Radiant has registered over 5 million streams on Spotify to date, and has received fantastic reviews worldwide, with Prog Magazine (UK) calling it “the best yet from Caligula’s Horse, a triumph of passion and performance.” Produced by the group’s Sam Vallen and mixed by the esteemed Jens Bogren (Opeth, Devin Townsend Project, Leprous), Rise Radiant features lead single ‘Slow Violence’, plus 2 bonus track covers of the Split Enz song ‘Message To My Girl’ & Peter Gabriel’s ‘Don’t Give Up’, which also features a guest appearance by Lynsey Ward of Exploring Birdsong.

In 2024, the band will release their 6th studio album Charcoal Grace, and it combines raw rockpower with immense emotional depth.Charcoal Grace is borne of the static hopelessness that the pandemic forced upon the band and, indeed, much of the world, these past few years. It is an album reckoning with the experiences and outcomes of this time geared, ultimately, towards catharsis – moving towards a more hopeful future.

Caligula’s Horse proudly endorses Ernie Ball Music Man strings and guitars, Klotz, Mesa/Boogie, and Fractal Audio, Dingwall basses, Pearl Drums, Remo drum heads and VRATIM Drum Shoes.

Black Lava

During the turbulent and uncertain years of 2020-2021, perhaps none were plunged deeper into darkness than those from down under as Australia imposed some of the strictest, harshest, and most devastating lockdown measures in the world, forcing their civilians into years of isolation. However, through solitude and desolation, some of the greatest art is created, as is the case with BLACK LAVA, the emerging blackened death metal quartet from Melbourne (AU). Founded by drummer Dan Presland (Vipassi, AMDBL, ex-Ne Obliviscaris) and guitarist Ben Boyle (Vipassi, AMDBL, Hadal Maw), BLACK LAVA draws influence from old school death and black metal bands while injecting groove-laden melodies and progressive elements to create their own experimental sound.

“The idea came about from just pure frustration of the situation at hand during 2020/2021,” explains Presland of the band’s formation. “Ben and I live locally together, and in the beginning of the pandemic, I built a working studio, so we got together to just initially jam to release some frustrations and vent some music around the second half of 2021. We had a pretty casual jam together and Ben came back with a few fleshed out ideas a few days later.” As the ideas started to come to fruition, the duo quickly realized that the project had more potential than just a jam session. “Both of us were really into the direction Ben pushed,” continues Presland, “and it was something pretty new to both of us – we have worked together quite extensively over the years within music, playing in several bands together (Vipassi, AMDBL, Aphotic Dawn and more) – so to go in a totally new direction was pretty refreshing.”

As the pair fleshed out more ideas, they turned to their good friend Rob Watkins of Blackhelm to fulfill vocal duties. “Within 10 minutes we had found a vocalist and the search for a bassist was on. Tim Anderson (Blackhelm) was found pretty quickly and was keen to jump on board the idea also, so within a very short time frame we had a full lineup, a record ready to go, and 4 guys full of enthusiasm to push something new.”
Sharing a diverse love for black metal, death metal, and progressive music, the quartet quickly found their sound and hit a stride. And thus, Soul Furnace was born – a searing 34-minute aural assault that conjures up nostalgia while still sounding fresh and current. While the record promises to usher in a new musical era of the 2020s with its forward-thinking and contemporary energy, the lyrics dwell somewhere between fantasy and the old world.

“In the world of Black Lava, the lyrics are set in a time and world long gone and forgotten, mostly made up of fantasy and a medieval theme, fitting for the realms of our style of music,” explains vocalist Rob Watkins of the album’s themes and inspirations. “We draw inspiration from the natural environment and mother nature, ancient witchcraft and the glory of warriors in battle. I picture Black Lava as visiting an ancient beast in a cave giving you a chance to escape the outside world through its tales and mythology.”
With a new deal with Season of Mist and a team of some of the music industry’s most revered artists, producers, engineers, and professionals behind them to help render their vision, Black Lava is ready to make its debut and unleash its fury upon the masses.

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Dylan's Omens

Dylan's Omens erupt into 2024 at The Workers Club! with support from SMILAS and Titration, the rock and metal quartet promises to bring it on January 6th, 2024. Old music, new music, and most of all... LOUD music.

Dela Cruz

De La Cruz were a 5-piece Australian hard rock band, founded in 2011 on the Gold Coast, Australia.

De La Cruz were formed in mid-2011 by Australian guitarist and Kramer Guitars endorsee Casey Jones, and Auckland, New Zealand born vocalist Roxxi Catalano. The band recruited Melbourne based drummer Lacey Lane, Brisbane Guitarist Rory Joy and local bass player Dennis Jaculli.

They recorded a self-funded and online released Self Titled E.P in October 2011 along with a video clip for the track 'Lust Fame Money'. The release of this E.P led to a full page article and album review in Classic Rock AOR Magazine. Track No. 1 'Good As It Gets' was featured on Episode 1, Season 6 of hit U.S television show Dexter. Shortly after release of the E.P, bassist Dennis 'Jakki' Jaculli left the band and was replaced by local Brisbane based muso Grant Daniell.

In mid-2012 the band signed a multi-album recording contract with European Record Label Frontiers Records and began work on their debut full-length album.

Sedative

Sedative are a Metal/Hardcore band based in Perth, Western Australia, that launched in June 2021 with the Debut Single release of ‘Cough Medicine’.

The band went on to release two more Singles in 2021 followed by the Debut Record ‘Death Romantic’ in May of 2022. Music off the record featured on radio stations including Triple J and landed Sedative on the cover of Spotify’s Homegrown and Heavy Playlist in April of 2022.

Since 2021, Sedative has shared the stage with some of the worlds best heavy music bands including Fit For An Autopsy, Within Destruction, Signs Of The Swarm, Xibalba, Saviour and Honest Crooks.

In April of 2022, Sedative embarked on their first Co-Headline Australia Tour ‘CYBERTOUR 2022’ with Adelaide’s Catalyst which saw them play in Brisbane, Sydney, Canberra, Melbourne and Adelaide across two weeks.

In 2023, Sedative announced that they will be joining Within Destruction on their Lotus 2023 Australia Tour 6 Shows around Australia in 7 Days.

HED PE

Hed PE (also known as (hed) Planet Earth and stylized as (həd) p.e. or as (Hed)pe[12] or (Hed)PE[13]) or (həd) Planetary Evolution, is an American rock band from Huntington Beach, California. Formed in 1994, the band is known for its eclectic genre-crossing style, predominately in the fusion of gangsta rap and punk rock it has termed "G-punk", but also for its reggae-fused music.

After releasing three albums on Jive Records, Hed PE left the label to record independently. Hed PE was signed with Suburban Noize Records from 2006 until 2010. Since 2014, the band has been signed with Pavement Music.

Since 2006, the band has become known for its involvement in the 9/11 Truth movement, referencing it in many of their song lyrics and concerts, as well as the concept of the album New World Orphans.

To date, Hed PE has released twelve studio albums, one live album and three compilation albums, and has sold over 700,000 albums worldwide.

The band was formed by vocalist Jared Gomes, also known as "M.C.U.D." (MC Underdog),[15] and guitarist Wes Geer, who became friends amidst the Orange County hardcore punk scene.[16] Gomes and Geer recruited guitarist Chizad, bassist Mawk, drummer B.C. Vaught and DJ Product © 1969. They named the group "Hed", which stands for "higher education".[17] The band built a following with their energetic performances at local venues,[16] and released the self-financed extended play, Church of Realities. Legal issues forced Hed to change their name, adding "PE", which stood for "Planetary Evolution (later changed to planet earth) ".[15][17]

Hed PE signed with Jive Records, releasing their self-titled debut album in 1997. In his review of the album, AllMusic's Steve Huey wrote "There are some slow and/or unfocused moments [...] but overall, its aggression will probably play well with late-'90s metal and punk fans."[18] Due to the label's contractual terms and the disappointing sales of the album, the band found themselves unable to repay the cash advances given to them by Jive. Gomes is quoted as saying "We had these romantic visions of the music industry, and we thought it would be cool to be a punk band on a rap label. So we fulfilled that dream, but it was also probably the worst thing that could have happened. [...] We've had offers from Sony and others that we can't take because we owe Jive so much money."