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Blues

Ash Grunwald

Ash Grunwald is an Australian blues musician.

While it’s true that his music is steeped in the Delta blues tradition of the legendary acoustic musicians who proliferated in pre-World War II America’s deep South and the giants of electric blues who shaped rock and roll, it’s the young Victorian’s willingness to combine these influences with grooves and sounds common in contemporary music that sets him apart.

A soulful singer and guitar player, Grunwald immediately drew attention with the release of 2002’s ‘Introducing … Ash Grunwald’ a collection of originals and blues standards that included ‘Smokestack Lightnin’ (Howlin’ Wolf) ‘The Sky Is Crying’ (Elmore James), and ‘Rolling and Tumbling’ (Robert Johnson) recorded live with only acoustic guitar and foot percussion consisting of a stomp box and tambourine.

The positive response to Grunwald’s debut resulted in two Victorian Blues awards for Emerging Talent and Album of the Year.

The following year he scored two Australian Blues awards for Male Vocalist of the Year and Best New Talent in addition to the MBAS’ Blues Performer of the Year. He also reached the final of the International Blues Performer of the Year in Memphis.

In 2004 Grunwald released his follow up album, I Don’t Believe, once again recorded solo and live.

Since his initial release he’d been made aware of two Tom Waits albums, Swordfishtrombones and Bone Machine. In a daring move he emulated Waits’ experimental bang and clang percussion using hammers, spanners, pots, etc, in addition to a boss loop station as a bed for his lap steel, dobro, and acoustic guitars.

The album included six originals, two of Waits’ compositions, "Going out West" and "Jesus Gonna Be Here" (a-cappella with handclaps) and blues standards "Walking Blues" and "Cross Roads" (Robert Johnson), "Empire State" (Son House), and "How Many More Years" (Howlin’ Wolf).

On the strength of this release Ash won an ARIA award nomination for Best Blues And Roots Album, and the Victorian Blues award for Male Vocalist Of The Year (equal with Lloyd Spiegel) and in 2005 the MBAS Vic / Tas award for Solo / Duo Of The Year (equal with Dave Hogan).

For the ‘Live At The Corner’ album (songs from his first two releases plus Willie Dixon’s ‘Spoonful’ featuring Ian Collard on harmonica) Ash won the 2005 MBAS Vic / Tas and Australian Blues award’s Album Of The Year in addition to being nominated once again for the Best Blues And Roots album at the ARIA’s.

Ash has built a substantial following performing at countless live venues around the country and at major festivals including Byron Bay, Port Fairy, Falls, Apollo Bay, Fremantle, Cockatoo Island and Margaret River.

In May 2005, Ash was invited to take over the reins as host of Triple J’s popular Thursday night show Roots ‘N All.

Ash Grunwald continues to forge his own identity with the release of twelve original songs on album number four, ‘Give Signs’ recorded on his own label Delta Groove Records. As usual it will be live and solo. And as usual, it is another terrific offering from this talented performer.
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Daniel Champagne

Recently described as 'the most talked-about rising star of Australia's next generation' Daniel Champagne delivers one of the most impressive one-man-shows out there!

Reaching to musical depth’s far beyond his years and a way with the guitar that can only be seen to be believed. Champagne often sounds closer to a three-piece band than the 21 year old singer songwriter guitarist now established as a renowned performer on both the Australian and international stage.

A reputation on his instrument of choice firmly established, recent descriptions of the live show state 'Proof that the acoustic guitars only limit is our imagination' (Lloyd Spiegel) and 'The best young guitarist in Australia' (IFC President). Daniel's playing runs from the instruments soul to way outside of its box. His Signature explosion of 2-hand tapping, body percussion and fiery runs in a swag of different tunings can be expected. As can the jazzy finger picking and tasteful improvisation of someone that first picked up the instrument at seven years old and as it would seem, hasn’t put it down since.

The same versatility can be said for his writing and material. Pulling off setts from intense blues-driven crowd pleasers, experimental compositions, bags of originals to century old Folk and Blues Songs delivered with an exiting youthful flair. As for the voice...'He sings with a wonderfully pronounced and proud Aussie twang, howling here, hushed there, always confident, fearless and knowing' (Jamie Forbes)

In all, a live show to mark as an absolute must see!

Having released two celebrated studio EPs - 'My Own Design' (2009) and 'Wide Eyed and Open' (2010). Daniel has now taken his explosive live show to all corners of his homeland and received an overwhelming response on an international level. He has performed at some of the fore-most world renowned Folk and Blues festivals including Woodford, Byron Bay Bluesfest, Nationals (Australia) Vancouver Folk, Salmon Arm Roots & Blues (Canada) to name a few. After Sharing stages with some of the leaders in acoustic music today and been marked as a true light in its future Daniel Champagne now holds a firm reputation for dropping jaws, breaking guitars and making festivals buzz wherever he goes!

PRESS QUOTES
"Daniel is proof that the acoustic guitars only limit is our imagination. It's a thrill to see a young artist with so much creativity, desire and talent using the instrument in a unique way" (Lloyd Spiegel)

"The best young guitarist in Australia" (IFC President)

"His on-stage presence radiates a musical maturity well beyond his years and a phenomenal method of playing the guitar leaves audiences thrilled' (TE Herald, Newcastle)

"It's his guitar work that really steals the show. Champagne has not only mastered his instrument, he's conquered it! Reaching into Folk, Blues, Classical, Jazz, Rock and other styling’s, with nods to virtuosos too numerous to mention. Champagne has created a pastiche all of his own... I cannot recommend this cd highly enough. Buy it, spread the word, something wonderful is happening down here" (BDN)

"A precarious young talent in the guitar world!" (Rhythms Magazine)

PERFORMANCE REVIEW
'Today I saw the future of Folk! - Festival goers flocking in their thousands towards main stage to witness the young musical phenomenon from Australia dish out an absolute show-stopper at the evening’s end.

It's not often that what we are told in this industry is reality, but I can tell you...the hype surrounding this kid is!

Daniel Champagne's guitar skills are indeed unparalleled, I've seen all the great players but have never heard such a sound come out of one instrument. Prowling the stage with it swinging around his shoulders and through the air, his hands are a blur as he taps notes with both hands, beats out rhythms on the body and toys with our emotion in a musical rollercoaster running from all out attach to complete silence with a mere slide of hand. Each song is a polished gem delivered in the vein of a old Folk troubadour, yet with an exiting youthful flair. But it's the manner in which he holds his audience...his commanding stage presence, cheeky road stories of a 21yr old on the international circuit and his old school dancing-in-the-crowd, guitar behind the head showmanship that had the audience in hysterics and had me convinced that we've really struck gold here.

In the modern age of Hip Hop and processed rock music where our folk players are getting pushed to the festival side stages in place of the more 'popular' acts. It’s a true joy to see a young performer steeped in our rich folk tradition who is able to hold a festival crowd both young and old with just a guitar, a voice and an old thing called talent!' (Exert from ‘The Firefly Column’ San Francisco by Anthony James)

FESTIVAL APPEARENCES
- Byron Bay Bluesfest
- Woodford Folk Festival
- Queenscliff Music Festival
- Australian Blues Music Festival
- National Folk Festival
- Vancouver Folk Festival (Canada)
- Salmon Arm Roots & Blues Festival (Canada)

Fairbridge Festival, Corinbank Music and Arts Festival, Snowy Mountain's of Music Festival, Wallaby Creek Festival, Cygnet Folk Festival, Illawarra Folk Festival, Mt Beauty Music Muster, Palm Creek Folk Festival, Red Deer Festival, Kangaroo Valley Folk Festival, Cobargo Folk Festival, Candelo Village Festival, Tilba Easter Festival, Bega Valley Transition Festival, Tuross Music Festival and many more...
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Robin Trower

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