There are two artists with this name: (1) Synkro (also spelled S.Y.N.K.R.O) is a dubstep/2-step producer and DJ based in Manchester, UK.
He has releases on Med School, Z-Audio, Smokin Sessions, On The Edge, Mindset. He describes his music as being deep and bass-driven, and has been played on various radio stations such as Rinse FM, React FM, Frequency FM & BBC Radio1.
myspace (2) Synkro si an industrial/breakcore/experimental artist.
Luke Hoskins has been making this particular sort of music under the name of dRillbit since 2003.
He has appeared on numerous compilation cds and has also released 6 of his own official dRillbit releases: Facebreaks album 2005 (Noise Machine : NOISE:005),
The extreme ultra violence EP (Noise Machine : NICE : 002
The Cheap Arse Shitcore EP Or The Shit Arse Cheapcore EP(God Rekidz : GOD103)
DRILLBIT is SHITHEAD Album, 2006 (Noise Machine NOISE : 008)
The Nam Shub Of Enki and kiki.ILL are pseudonyms taken on by PhILL Thomson, long respected producer, performer and DJ in the Australian underground dance scene. He is also a member of Brisbane electro cabaret super group MONSTER ZOKU ONSOMB! Who have been tearing apart crowds of every denomination for 5 or so years. More info at The Nam Shub Of Enki's official web-site.
Rapid-Fire-Amen-Infused-Mashcore Federally Certified to Crush any Party, Graz is here to take you to Bootleg Babylon. His glitched out high-speed rave rendition of radio's yesteryear are the perfect blend to get any crowd bobbing. Prepare for the true sounds of the plunderground, More Info:
www.myspace.com/graz
www.soundcloud.com/grazcore
Dysphemic’s curiosity with electronic music began at the age of 10 when he experimented with Sound Tracker 2 on his family's 1984 Amiga Commodore computer.This same process of sequencing has carried through out his development of technique which can be described today as crushing the limits of electronic music.
Heavily influenced by Jungle and Drum and Bass, at the age of 15 Dysphemic produced his first 60 minute album.
Jason Forrest is an electronic music producer known for noisy experimental electronica and breakcore. Largely produced and performed on a single computer (including live shows), his songs tend to be constructed from digital samples of found sounds and other artists' music. Until 2004 he recorded under the name Donna Summer then in 2007 he began to re-use the updated "DJ Donna Summer" for the production an performance of dance music.
.. ... Someone said MZO sounded like: "Techno Jungle Sixties Hardcore Punk from Outa Space! " ... Someone else said : "Mental ragga rave n bass with zigzag bass lines and the kind of free spirited abandon guaranteed to ram a dance floor in 10 seconds flat! " Biography 2009 From the cultural swamps of Australia’s most gleaming citadel; Brisbane Australia,(?) crawl Monster Zoku Onsomb! An ensemble who have forged their own sound from the shattered pieces of kitsch retrodelica and contemporary bass culture.
Skrillex is the pseudonym used by Sonny Moore to differentiate his dance music from his band music. It was originally an old AIM screenname of his. Throughout 2010 Skrillex has become more and more a part of Sonny Moore’s life, having released the ‘My Name Is Skrillex EP” for free and ‘Scary Monsters and Nice Sprites’ through Mau5trap on Beatport exclusively until November 19th, where it will arrive at all other digital distribution stores and websites.
When “one of the biggest talents in Drum’n’Bass” (according to Grooverider), Vienna based Reinhard Rietsch aka CAMO and up- and coming producer Markus Wagner aka KROOKED, who both started producing in 2002, teamed up in 2007 nobody could have guessed what impact their collaboration will have on the scene!
Since then they have written and produced some of the hottest and devastating dancefloor anthems Drum’n’Bass has heard for a long time! Be it the more soulful sound of the massive “Tonight” or the raw power of smashers like “Dakota” (both released on MAINFRAME Rec.
Paul Blackout (Paul Rayner) Paul started going to 'raves' in 1993, and after collecting many recordings of various radio shows, he started buying records, and a little while later, his first set of decks. First he played old school techno and breaks, stuff like early Moving Shadow and Formation, along with Edge Records, Rabbit City, Bonzai etc etc. After hearing Wedlock's "Acid Rain" on Ruffneck, he got the bug for hardcore, and went on to play hardcore techno, such as Ruffneck, Twisted Vinyl, Rotterdam etc until he got into some harder traxx too.