blues rock

Hailing from the eastern suburbs of Melbourne, The Regnans are an explosive, captivating band that blends funk, blues and rock to deliver an electrifying experience - and are excited to bring a new headline show to The Workers Club in October.

Consisting of Hamish Warner (Vocals), Zac Annal (Guitar), Angus Williamson (Bass) and Josh Buchanan (Drums), The Regnans have the potential to carve an incredible future in the music industry.

Formed in early 2016 from a most unlikely late night encounter, The Dead Amigos have been unrelenting in spreading their unique blend of bluesy stoner rock with underlays of psychedelic and funk across the Melbourne and St Kilda music scenes.

The Vineyard, Prince of Wales, the Espy, Cherry bar, Revolver, Evelyn hotel, Brunswick hotel and the Tote are among the many iconic venues the boys have frequently graced in their short time together. On top of this, the St Kilda rockers ‘Lets Get Twisted’ tour brought the new gospel of their sound to rocking places such as Frankies Pizza in Sydney and the Bearded Lady in Queensland.

Now preparing to unleash their debut album with producer Tyson Fish (The Living End, Dropkick Murphys, Bad//Dreems), The Dead Amigos are showing no signs of slowing down as they continue to bring a unique blend of St Kilda rock n roll to the masses.

Dan Brodie is an Australian singer and songwriter from Melbourne, Australia, best known for his prolific solo career, during which he has released seven studio.

In addition to releasing his own albums, Brodie's songs have been recorded by other artists including two songs on Love Is Mighty Close, a Vika and Linda Bull Album. Also in 2010 Brodie appeared on the Paul Kelly produced Maurice Frawley tribute album, Long Gone Whistle – The Songs of Maurice Frawley, performing the Frawley track, "Roll me" to a sold out audience at the Esplanade Hotel in St Kilda.

Born in Melbourne, Australia, Brodie was raised in a musical family, his father, a professional guitarist and singer taught Brodie the basic chords of guitar. With his brother Chris Brodie (Dallas Crane), they began playing in bands together, honing their skills of playing live to audiences around the outer eastern suburbs of Melbourne before landing their first pub show whilst still in their early teens at the Richmond Club Hotel in 1990.

Over the next five years, Brodie performed around Melbourne, recording his first proper Album in a student run studio at Monash University in Clayton in 1993, released on tape and sold at live shows. After a move to the inner-city in 1996, Brodie joined dirty swamp rockers, Luxedo, on bass, the line-up also including Tom Carlyon on lead guitar and vocals, Emilie Martin on violin and guitar and Jamie Coghill on drums, contributing to the debut LP, Beauty Queen and the follow up, City Lights and Roadkill departing in 2001 to concentrate on his solo career.[citation needed]

1998-2000: I'm Floatin' Mamma and Big Black Guitar
A five track EP, I'm Floatin' Mamma was independently released in 1998; followed by debut album, Big Black Guitar in 1999. Backed by The Broken Arrows which featured his brother Chris Brodie on slide guitar, Craig Williamson (These Immortal Souls) on drums and Dan Kelly on bass, Brodie signed to EMI who re-released his debut album. Both the EP and debut album were produced by Maurice Frawley and engineered by Dave McCluney at Atlantis Studios in Melbourne.[citation needed]

2001-2004: Make Me Wanna Kill and Empty Arms, Broken Hearts
In 2001, Brodie released a four track EP featuring songs recorded for his forthcoming unreleased album, as well as some from earlier demos.[citation needed]

Brodie's second album, Empty Arms, Broken Hearts was released in 2002. Containing the singles "Jesus, Try and Save Me", "Take a Bullet" and "Hope That We Get Home Tonight", the album was nominated for two ARIA Music Awards.

2005-2009: Beautiful Crimes
Brodie's solo album entitled Beautiful Crimes was released in 2005 that veered away from country into a more indie rock sound and was produced by Barry Palmer of Hunters and Collectors, releasing the two radio friendly power-pop rock anthems, "Wanna Shine" and "Sweetheart".[citation needed]

Brodie took an extended break from touring with a band and spent several months playing solo shows across the Americans.[citation needed]

2010-2011: My Friend The Murderer
Brodie returned to Australia to record My Friend The Murderer which was released in 2011. The album was recorded at Headgap Studios in Melbourne, Australia by Brent "Sloth" Punshon and for the first time showed off Brodie's newly formed backing band, the Grieving Widows, featuring Chris Brodie on bass and Dave Nicholls on drums.[citation needed]

2012-2014: Deep Deep Love and Run Yourself Ragged EP
Brodie completed work on his fifth album Deep Deep Love in 2012 before a diagnosis of Hodgkins Lymphoma and subsequent treatment of chemotherapy and radiotherapy sidelined him for most of 2013, delaying the record release. Deep Deep Love features minimalist backing of double bass by Dean Schulz Layla and Rhianna Fibbins on backing vocals and Grieving Widow's alumni Chris Brodie and David Nicholls on guitar and drums respectively.[citation needed]

In June 2014, Brodie entered St Charles Recording Studio in Northcote with the Grieving Widows to record a song from their live set; a cover of Ian Rilen’s (Rose Tattoo/Love Addicts) "Booze to Blame". Three more songs of original material quickly followed, and Run Yourself Ragged EP was released.

2015-2016: Big Hearted Lovin Man: A Retrospective 1999-2014
In March 2015, Brodie released the live album, Big Hearted Lovin' Man: A Retrospective 1999-2014. The album was recorded in one night in January, 2015 at Salt Studios in Melbourne. In April 2015, Brodie embarked on a three-month solo acoustic tour of Europe playing back to back shows at France.[citation needed]

2017: Lost Not Found and Funerária do Vale
In early 2017, Brodie returned to Melbourne to record Lost Not Found a collection of reinterpreted cover songs.[citation needed]

Brodie's seventh studio album, Funerária do Vale was released on 30 August 2019. The album cover and title are taken from a photo that Brodie took of a funeral home in Rio De Janeiro, Brazil during a six month stay in 2007. He said "I found the imagery so evocative (with its English translation of 'Valley of the Funeral Home'), and always hoped to use it as an album cover. In a way I wrote the songs to fit the existing photograph, exploring themes of loss."

After a two-year stint living and working in Sydney, Van Dungen returned to Melbourne just as The Tote was celebrating its 21st anniversary. Van Dungen had already taken note of Melbourne’s vibrant live music scene, and hatched an idea to document various live music venues in their natural, thriving state. “Initially I thought it might be good to do a documentary on the Rainbow, which I used to go to, and which was threatening to close because of noise complaints,” Van Dungen says. “Then the next day I was going through the street press and realised it was The Tote’s 21st anniversary, so I thought I’d seize the moment and do some filming in The Tote.”

Van Dungen approached then-licensee Richie Ramone to film a Magic Dirt gig. “Richie said it was fine, as long as the venue didn’t have to do anything to set up,” Van Dungen says. Van Dungen gradually realised that, rather than a collage of Melbourne venues, she should concentrate on the legendary Tote. “I did a lot of research on The Tote, and started shooting bands and interviewing people,” Van Dungen says.

The original concept – a long-form documentary celebrating The Tote in all its festering rock ‘n’ roll glory – took a sharp turn when Bruce Milne announced that the venue would be forced to close in the face of Milne’s escalating debts. Van Dungen took her camera into The Tote to witness The Tote staff, past and present, come together to provide a suitable send-off. As a former Tote staff member herself, filming the last days and hours was a particularly emotional activity. “It was hard because I was pointing a camera at the staff as they went through it,” Van Dungen says. “It was hard watching the grief that went through the community. But I was hoping it would re-open, because there was so much grief going on, and it seemed wrong that The Tote was being taken away from this community,” she says.

But as the local music community grappled with the shock of The Tote’s impending closure, a rear guard action – in the form of the Save Live Australia’s Music (SLAM) community action movement – was being conceived. Van Dungen took her cameras to the SLAM Rally in January 2010, an outpouring of support for live music that took the state government by surprise. Having previously been given a distribution deal and the use of an edit suite by Madman, Van Dungen approached the ABC for funding support to finalise the documentary, now recalibrated to narrate the events leading up to, and immediately following The Tote’s closure.

The final product, Persecution Blues – named after the Powder Monkeys song featured on the wall of The Tote as a poetic tribute – premiered at the Melbourne International Film Festival last month. “At the first screening I was looking out into the crowd and seeing all these familiar faces,” Van Dungen says. “Having spent seven years making it, it was tremendous to be able to share it – but it was also quite nerve-wracking!” she laughs.

Persecution Blues has now secured a feature run at the Cinema Nova in Carlton, with a DVD release slated for early 2012, shortly after the film is shown on ABC. “With the DVD I’d like to use as much footage as we can that didn’t appear on the final documentary,” Van Dungen says. “It’s pretty hard to cram 400 hours of film into 57 minutes, so there’s still a lot more to show.”