funk

The Comet Is Coming is a London-based jazz-rock band who incorporate elements of jazz, electronica, funk and psychedelic rock.

The band originally recorded for The Leaf Label, on which their debut EP Prophecy was released, on limited edition 12" vinyl, on 13 November 2015, with the full-length album Channel the Spirits following on 1 April 2016.[1][2] The album was nominated for the 2016 Mercury Prize, and in 2018 the band signed with Impulse!

The members of the band use the pseudonyms "King Shabaka", "Danalogue", and "Betamax" to respectively refer to saxophonist Shabaka Hutchings, keyboardist Dan Leavers, and drummer Max Hallett.[3]

In a 2013 interview, Hutchings explained the name of the band thus: "The name of the group comes from a BBC Radiophonic Workshop piece of the same name. Once we heard this piece, with its allusions to sci-fi, cosmic remembrances and general space, it instantly struck a chord. We're exploring new sound worlds and aiming to destroy all musical ideals which are unfit for our purposes so the name stuck."[4]

In an interview with M magazine, Betamax spoke of the band's genesis:

Me and Danalogue the Conqueror play as a psychedelic electro synths and live drums duo called Soccer96. We began to notice a tall shadowy figure present at some of our gigs. At some point he appeared at the side of the stage with his sax in hand. When he got up on stage to play with us it created an explosive shockwave of energy that stunned us all. A couple of weeks later King Shabaka rang me up and said 'hey let's make a record' so we booked three days in Total Refreshment Centre studios. It all came together at an incredible speed. We played and recorded to 1/4 tape with no pre-written material. By the end of three days we had recorded hours of music.[5]

The imagery associated with the band is based around outer space, science fiction and B-movies, as can be seen in the music videos for their singles "Neon Baby" and "Do the Milky Way", as well as in song titles and artwork. "Do the Milky Way" premiered on The Quietus.[6] In a feature in The Guardian in April 2016, the group were described as the "true heirs" of cosmic jazz pioneer Sun Ra, and praised for their "fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-up".[7] The Quietus wrote that although the band is "intrinsically linked to funk...and spiritually linked to all manner of cosmic music via their imagery (and love of space-creating echo and reverb effects), The Comet Is Coming has the feel of an utterly fresh sort of project".

King Shabaka elaborates on the cosmic side of the band and the connection to Sun Ra in the same article, when describing the crystal that dominates the cover of their Prophecy EP. He says, "The other thing about the crystal, metaphorically speaking, is the whole Sun Ra thing of creating your own myths. The thing I like that Sun Ra says a lot is the fact that societies that can create their own mythological structures are the ones that have their own agency. To the point at which you can dictate the terms of what's real and what's not real. The crystal in the hand forces you to create your own myth".[8]

In August 2016, the band was nominated for the Mercury Prize for their debut album, Channel the Spirits.[9][10]

In January 2017 the band was one of the recipients of the Momentum Music Fund through PRS for Music and in April 2017 the band released the Death to the Planet EP through The Leaf Label as part of Record Store Day.[11][12]

Their second full-length album, Trust in the Lifeforce of the Deep Mystery, was released in March 2019 and received critical acclaim, with The Quietus noting the importance of Sun Ra and Alice Coltrane on their sound while acknowledging that "rather than being weighed down by those legacies, The Comet Is Coming have turned them into fuel, accelerating their sound, and with it, the sound of jazz today."[13] Pitchfork gave the album a score of 7.8 out of 10 and wrote, "Mostly low- to mid-tempo, the band skillfully integrates bleak and radiant tones, leading to an impressive nine-track suite of ambient, spoken-word and grime-infused compositions."[14] The album currently holds a score of 83 on review aggregator Metacritic, indicating "Universal acclaim."

A fun and eclectic mix of music. Spontaneous yet full of direction. Played with passion, not pretention. One of Sydney's finest musicians. Three of his friends.
Drawing from a wide spectrum of genres, influences and individual careers, Adam and Friends have one goal, and one only: To make great music.
Influences that are strongest are the ones shared by all members, including The Meters, Albert King, Freddie King, Ernest Ranglin, Bonnie Raitt.
On the table are years of experience, from all aspects of the music industry.

Adam Pringle (Guitar, Vocals) has been performing live since the age of 14, when he was sneaking into his uncle's blues gigs. It was the "trial by fire and brimstone" approach to learning that has given him the strong, rich and unique guitar tone he is know for. Apart from leading his own career, he has also been a sideman for such acts as Corinna Steel, Kara Grainger, The Hiptones, Melanie Horsnell and The Bondi Cigars.

Niall Anderson (Keys) Moved to Sydney five years ago, after completing a Bachelor of Music at WAAPA, Perth. He was quickly employed to be Musical Director for songstress Gin Wigmore, and also currently plays for Split Enz's Tim Finn.

Tim Curnick (Bass), Currently tours and records with Tim Freedman (The Whitlams), Old Man River, Ngaiire, The New Dynamites and his own band SHINOLA!. Tim was part of the late Jackie Orszaczky's "School of Soul", and has been a member of the house band on GNWTV's The Sideshow, as well as Good News Week.

There are many words that could be used to describe Melbourne band The Hornstars. Funky. Danceable. Loud. Quirky (have you seen that video?). But above all else, the Hornstars are all about fun, and their primary mission is to show their audience a funky good time.

The Hornstars sound is big, brassy and hard to pigeonhole. The lineup featuring Clancy Cullen (vocals), Daniel Bardan (trumpet), Bruce Cousins (trombone), Russell B Myers (tenor sax), Joey Mount (drums), Mike Holloway (bass), Peter Bonett (keys), Gareth Durant (guitar) and Eric Morand (alto sax and percussion) bring a wide range of influences to the mix. Jazz, soul reggae - it may not all be funk as we know it, but it is definitely funky.

The Hornstars formed in 2016, legend has it, after founding members were kicked out of their ska band for allegedly being “too funky”. What came next was inevitable. The band quickly recruited their 9-piece lineup and confected a set of catchy and danceable songs, which they took to the pubs and bars of Melbourne and beyond, and eventually released as their debut album in March 2020.

During the COVID-enforced hiatus, band members continued to write, getting together when restrictions allowed. The band’s song writing continued to evolve, sometimes reflecting what was going on in the world outside (witness the hard funk grooves of "No Gigs" and "Half Way There"), and at others expressing aspirations for brighter post-pandemic future ("Touch", "Say Goodbye"). Occasionally emerging between lockdowns in 2021, the Hornstars were greeted with an enthusiastic reception and sold out shows.

With their second album Half Way There released in August this year, the Hornstars are looking forward to playing more live shows in 2022 and beyond. And while we are still living in uncertain times, here is one thing to be sure of - The Hornstars are still having fun in 2022, and so should you.

Holy Moses Heartache are proud to announce the launch of their long-awaited fourth album, It’ll Be Fine, at George Lane. With a cult-like following, which extends beyond their immediate families, Holy Moses Heartache have been wowing both themselves and audiences with their blend of soulfully swampish, cosmic-country-funk-folk-rock stylings for the past ten years. Performing with an extended eight piece line-up on the night, there will be ear-worming melodies and heart-warming harmonies.