electronica | Musicosity

electronica

Booka Shade

Berlin-based Booka Shade (Walter Merziger and Arno Kammermeier) leapt to the forefront of contemporary dance music in 2005 with their classic singles “Body Language” (with M.A.N.D.Y.) and “Mandarine Girl”, and their debut full-length Memento. Since then they’ve released a string of hit singles, become one of the world’s most sought-after electronic live acts and developed their unique sound on the acclaimed albums Movements and The Sun & The Neon Light.

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Moby

Moby is an American electronic musician and is also the name of his live band. Born Richard Melville Hall on September 11, 1965 in Harlem, New York. Moved to Darien, Connecticut at the age of two. He has also released music under the names Voodoo Child, Barracuda, U.H.F., The Brotherhood, DJ Cake, Lopez, On the Rim of the Wheel a Nail, and Brainstorm/Mindstorm. Moby plays keyboards, guitar and bass guitar. He took his performing name from the novel Moby-Dick by Herman Melville, who is his great-great-granduncle.

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Dada Life

They don’t care about genres. They don’t care about smartness. They don’t care about the things you care about. Dada Life just want to make you jump up and down. Then make you crash into a wall with a smile on your face. The formula has been a winner since the start. In summer 2006 Dada Life released ”Big Time” and DJ:s all over got their first take on the duo. Since then there has been a steady stream of records: ”The Great Fashionista Swindle”, ”Vote Yes” and “Fun Fun Fun” as well as the full length album “Just Do The Dada”.

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Cut Copy

Cut Copy is a synthpop band formed in 2001 at Melbourne, Australia, and made up of Dan Whitford (lead vocals/keys/guitar), Tim Hoey (bass/guitar) and Mitchell Scott (drums), Bennett Foddy being a former member. Their sound is much in the vein of contemporaries such as Daft Punk, drawing considerable influence from older bands such as New Order, Electric Light Orchestra and Kraftwerk. It began in 2001 as the project for Dan Whitford, however in 2003 Whitford recruited a band, and in 2005 toured internationally for the first time, visiting London, New York and Los Angeles.

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Tunng

Tunng are an experimental folk band which formed in 2003 in London, England. They are often associated with the folktronica genre due to the electronic influences evident in some of their work. The band consists of Mike Lindsay (vocals, guitar), Sam Genders (vocals, guitar), Becky Jacobs (vocals, percussion, mandolin), Ashley Bates (banjo, guitar), Phil Winter (electronics, sampling, keyboards) and Martin Smith (percussion, shells)

Aphex Twin

Aphex Twin, born Richard David James, August 18, 1971, in Limerick, Ireland to Welsh parents Lorna and Derek James, is an electronic music artist. He grew up in Cornwall, United Kingdom and started producing music around the age of 12. Richard has been hailed as "the most inventive and influential figure in contemporary electronic music", with his works ranging from ambient pieces to acid techno.

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Skism

Currently there are 3 known artists using the name Skism. 1) London, UK based dubstep artist releasing on Wicky Lindows. http://www.myspace.com/weareskism 2) A Brooklyn punk band who have released one album called Schism. 3) Progressive metal band Tool have a track titled Schism. 4) David Grogan, an electronica / instrumental hip hop artist who released the Skism EP.

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These Kids Wear Crowns

Genre: Power Pop
Hometown: Vancouver (surrounding areas)
Album: These Kids Wear Crowns (EP) Released 9/11/09
Website: http://www.myspace.com/thesekidswearcrowns Members:
Alex Johnson- Vocals
Alan Poettcker- Bass/Vocals
Joe Porter- Guitars
Josh Michinson- Drums
Matt Vink- Keyboards/Programming
Joshua McDaniel- Gutairs Management- Jonathan Cook, Tommy Quon (TQ Management)
Label: Universal Music Canada
Photography: Dave Delnea
Booking: thesekidswearcrowns@gmail.com

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Art vs. Science

ART.vs.SCIENCE is a psychological experiment. Songs are crafted carefully according to principles abstracted from the study of human responses to music. Each show is a test of these responses and how they differ in comparison to the manipulation of certain musical elements. Upon complete and exhaustive analysis of the relationship between artistic tools (tempo, rhythm, vocal content, video-imagery and structure) and the human response, ART.vs.SCIENCE intends to publicise its findings.

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